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Growing Up Proud

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I had to squeeze my grocery dollars until the eagles grinned this week, but I was determined to redeem at least two of my Fashion Madness dolls from the layaway shelf in my closet.  Members of the Rock Star Madness band who represent Kenya and her friends were scheduled to appear at two local Family Dollar stores this afternoon so I knew it was time to do a post about these beautiful dolls.

 

The Family Dollar location where I met the members of the band is just a few blocks north of Morehouse College, Spelman College, and Clark Atlanta University, a cluster of  institutions that have educated generations of African American leaders.  Thus it was extremely gratifying to see Family Dollar taking leadership in providing products that enable African American children to identify with positive images of themselves.  "Growing Up Proud" is the motto of the Kenya doll brand, so "Proud to Be Me" is the first single released by the Rock Star Madness Band.  You can download the song for free here

I arrived a little before the performers and was pleased to see that the store had a plentiful supply of Kenya dolls right up front:


"I wish I had brought my daughter," said one man when he realized that the four talented artists were posing for pictures and signing autographs.


Shanica Knowles is Kenya.


Ryan McDaniel is Kenya's boyfriend, TJ.


Kia Hampton is Kenya's best friend, Denise.


Jonathan McDaniel is TJ's cousin, Dwayne.


Atlanta was the last stop on this promotional tour, but aspiring rock stars can win a chance to perform with the band by submitting their versions of "Proud to Be Me" to the Kenya talent contest.


I brought the Fashion Madness Rock Star and Riviera dolls with me, but I plan to de-box them as soon as I can squeeze more money out of the grocery budget so the band members were obliging enough to autograph the back of my receipt instead.


Korean war veteran, Donald Levine carved the first G.I. Joe prototype for Hasbro in 1963.  In 1975 he left to start his own toy company.  By molding an adorable face with African American features, Levine's company created a smash hit with its Kenya doll in 1992. Production ceased in 1996 due to a failed licensee change.  Fortunately Donald Levine and his son Neil have organized the Kenya's World, LLC to re-launch this historic brand and Family Dollar, one of the fastest-growing discount retail chains in the country, is offering four styles of Kenya dolls this holiday season. 

African Americans have long been subjected to a multi-media barrage of negative images distorting their culture, history, and physical appearance so it is exciting to see Kenya's World using an innovative, three platform marketing approach that aims to create a movement with a message of respect, responsibility and educational growth.  In an interview with Julee Wilson of The Huffington Post, Neil Levine detailed plans for Kenya television programming, films, mobile applications, and music albums.  So with dolls like Kenya, role models like Shanica Knowles, and a variety of media images reflecting their multi dimensional beauty, another generation of little brown girls is growing up proud.


Now if they would just hurry up and release TJ and Dwayne!
 
À Bientôt

Fashion Madness

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Somehow I haven't been able to warm up to the So In Style dolls.  They feel like a Jim Crow addendum to the Barbie empire.  They are made by Arco toys rather than the regular manufacturers in the Barbie supply chain.  Even in communities with large populations of middle class African Americans like Atlanta, mainstream retailers seem nonchalant about stocking enough of them to meet the potential demand.  When they are in stock, they are subject to arbitrary price manipulations and worst of all, Mattel has embargoed selling these dolls overseas.  Every time I start to break down and buy them, it feels like I would be giving my money to support a separate and unequal system.

Thus, I was eagerly awaiting the release of the Prettie Girls designed by Stacey McBride Irby who created the So In Style line.  One World Dolls is a black-owned company that I would have liked to support, but in over a year they haven't delivered any Prettie Girls to market.  Kenya's World, LLC is not a black owned company, but this Christmas season they have created a product line and devised a marketing campaign that meets African American consumers' demand for dolls that reflect the full spectrum of our beauty right in our own neighborhoods at local Family Dollar stores.

So how do the Kenya Fashion Madness dolls stack up compared to Mattel's So In Style line?  This week I de-boxed the Beverly Hills, Moving On, and Vegas models to find out.  Doll nudity to follow.

***

Fashion Madness Kenya dolls have oversized heads like Mattel's My Scene girls or Disney's Princess Tiana.  They also have tons of hair but shoulder to shoulder with So In Style dolls, they are about the same height up to the neck.  Here Kenya is on the left, and So In Style Grace is on the right.


Compared to the Barbie "belly button" body, however, Kenya is built for comfort rather than speed.  Her bosom is more voluptuous,


and her hips and thighs are fuller.


Although some early So In Style dolls had articulated wrists and elbows, another one of my frustrations with Mattel is that they have only offered us one darker complexion in the fully articulated Fashionista line.  Kenya comes in three luscious flavors:


Granted the bodies do not feel as sturdy as Barbie Fashionistas and the range of motion in the knee joints is not as great.  The Artsy Fashionista body can pose with the knees turned gracefully to the side:

 
Although Kenya's legs don't gape open like Disney's articulated Princess Tiana dolls when she is seated, she is not as demure as Artsy:


Nevertheless, Kenya dolls offer a wider variety of body upgrade options for our dolls with darker complexions.  Just be sure to slice the head off with an Xacto knife.  The neck prong is wicked and subject to break:


Yet, for $20 you can often get a So In Style doll with a cute little sister and both will be dressed in the well-made clothes that have made the Barbie brand synonymous with quality.  The Kenya Fashion Madness dolls are currently priced at $5 more than a standard Barbie Fashionista.  Are the clothes worth that extra premium or are we paying a "black tax" for articulated dolls with deeper complexions?


Beverly Hills Kenya sports a workable suit which is not common in the current wave of girly pink Barbie fashions.  The jacket and skirt are made of lightweight cotton in an interesting polka dot print.


While ice blue was an intriguing color to pair with the black and white suit, in my opinion the terry cloth fabric is a less successful design choice.  The line of this sleeveless tunic also does not flatter Kenya's thicker figure.


Meanwhile the belt is a cheap strand of beads that will most likely pop in the process of dressing and undressing the doll.


The jewelry, however, is a nice change from the molded plastic accessories that usually come with play line dolls.  The necklace is a chain of metal beads and the earrings are metal disks securely attached to strong wires.  The shoes are very stylish and dainty.


Meanwhile I found that Kenya can wear Kari Michelle tops (but not bottoms) and swapped out the terry cloth sack.


All in all, this suit has infinite possibilities.

Next I deboxed Movin' On Kenya.


The leopard print coat and matching bag are very chic even though the bag is stitched shut.


Instead of bunching and adding thickness at the waist like the terry cloth sack, this red knit tunic hugs Kenya's curves.


Kenya can stand unaided in these boots and they are slit up the back for easy removal.


The velour leggings are not made of top quality fabric and it would probably be a struggle to put them on a doll with soft vinyl legs.  Still, the Movin' On ensemble is my favorite Kenya fashion.

Indeed, many of my other ladies would like to throw Kenya down for her furs and jewels so she generously allowed SIS Grace to model the Vegas ensemble.


This white fur coat sheds a lot but it looks sharp and the purse is a megawatt marvel.  


The faux leather pants are a little roomy in the seat but the shoes are a perfect fit so unlike Liv dolls, Kenya dolls can share all their shoes with Barbie and her friends.


With glittering gold beads stitched to a shimmery top, this ensemble packs plenty of glitz and glam but mercifully none of it is pink!


***

In summation, Kenya has a pretty face if you don't mind oversized heads.

 
I used all three of my Kenyas as body donors, however.


I was especially grateful for the Beverly Hills doll's deep toned complexion.  This lovely lady from Roses would never have found an articulated body otherwise.  Here she has poured her bodacious self into a Barbie T-shirt and jeans.  She can't wear every Barbie fashion, but with many items Kenya and Barbie will be able to share and share alike.


The final verdict?  Although the Kenya Fashion Madness line targets a specific market niche, with $5 worth of fresh ideas in each of the Fashion Madness designs, these play line dolls bring some much needed diversity to the market.

À Bientôt

Righteous Rastas!

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Back in the day when Integrity Toys' Janay dolls were available at retail outlets, I held up the checkout line at Walmart while clerks searched all over for Tariq's price.   His chiseled cheekbones and almond eyes reminded me of the Calvin Klein model, Tyson Beckford.  I was determined not to leave the store without him.  In fact I bought two!

Now I have put my Tariqs to work modeling new wigs for my Etsy store.  This short dreadlocks wig is currently available in black, dark brown, warm brown, and auburn.


Another Integrity Toys release cast Janay and her friends in Ancient Egypt, hence the khol rimmed eyes on my light skinned Tariq.  The shoulder length dreadlocks wig is also available in black, dark brown, warm brown, and auburn.


If you have already spent all your money Christmas shopping, check out the Limbe Dolls tutorial on making the Action Figure Dreadlocks wig for yourself.

À Bientôt



Fashion Madness: Picture Perfect

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Yla Eason, founder of Olmec Toys pioneered ethnic fashion doll lines with the 1988 release of Naomi (Black Doll Collecting:  Moments in Black Doll History).  Thus, I thought it would be appropriate to start this showcase of the new Kenya Picture Perfect fashions with a model from Olmec Toys. 


Consuelo, Latin American princess, wears a pale pink, tiered dress with black accents at the shoulders and waist. 


The soft knit fabric clings to her curves even though she is not as voluptuous as Kenya.


In 1995, Percy Newsum's Integrity Toys took up the torch from Olmec Toys and made ethnic fashion dolls ubiquitous on the shelves of national retailers such as Toys R Us and Walmart. 


The original Integrity Toys play line bodies were thicker than Barbie.  I have offered Jade the opportunity to upgrade to an articulated body several times but she is proud of the womanly curves that make this red satin dress a dramatic fashion statement. 


This dress will not fasten around her generous endowments but her hair would normally hide that fact. 


It also comes with a glamorous purse. 


Before Mattel’s So In Style line, Barbie had another set of African American friends – Shani, Asha, and Nichelle. 


These dolls appeared in the early 1990s.  Although their hair is improbably long and straight, their faces were sculpted to represent distinctively African American features. 


Like the Kenya dolls, they came in three skin tones.  Shani’s complexion was medium brown, Asha’s was café au lait, and Nichelle’s was dark chocolate.  Shani’s original jewelry coordinates well with the gold-on-black accents in this dress. 


She looks ready to dance the night away with her boyfriend, Jamal.

This fashion pack comes with two pairs of shoes. 


None of the models above could slide their heels through the ankle strap. 


I think this design is likely to break in short order but Kenya was obliging enough to slip them on for us.

Those of us who buy dolls and accessories on a regular basis accumulate large quantities of wire twist ties.  While D7ana of “A Philly Collector of Playscale Dolls and Action Figures” has suggested ways to recycle them, it is good to see Kenya’s World has done away with them all together.  The purse and shoes are secured inside the package with ribbons that you can re-use as fashion accents. 


The plastic “staples” were attached to the dress forms rather than the garments themselves so they left no unsightly holes in the fabrics.  The inner package art is attractive and brings to mind My Scene packaging of yore.



I have not seen these fashion packs at Family Dollar but you can order them on-line from Toys R Us:

Picture Perfect Fashion Pack– $11.99 at Toys R Us

Orange Blossom Fashion Pack -- $11.99 at Toys R Us


My next post will feature the Orange Blossom fashions.

À Bientôt

Fashion Madness: Orange Blossom

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In 2009, after the inauguration of Barack Obama, the first African American president, Mattel introduced the So In Style line of dolls designed by Stacey McBride Irby.  Like the new president, this group of Barbie friends hailed from Chicago.  The So In Style dolls represent a range of skin tones but Grace, whose cocoa complexion is midway between light-skinned Trichelle and deep toned Chandra, receives the most attention.


For example, Mattel has produced a purple sports car (a Sweet Sixteen birthday present) for Grace though none of the other So In Style dolls has wheels.  As with Shani and her friends, the So In Style dolls have long, silky textured hair (Trichelle’s is curly) that most African American women can only acquire through chemical processes and/ or wigs and weaves.  I scalped my Grace so she can wear natural texture wigs.


Her braided updo style complements the simple elegance of this fitted gold sheath.


The gold purse included in the Orange Blossom fashion pack is an additional accent.


Integrity Toys was more venturesome in the colors and textures of hair that formed the crowning glory of Janay and her friends.


This version of Alyssa has ice blue eyes and a mane of kinky blonde locks.  She reminds me of some Puerto Rican women I have known.  In this’s leopard print halter dress she is more than ready to take a walk on the wild side.


The leopard print chair and ottoman were gifts from Vanessa Morrison of Van’s Doll Treasures.  You can find more well-crafted furniture like this at her Etsy store.

While Fashion Madness Kenya dolls are crowned with an improbable mass of hair, the Movin' On and Rock Star models have thick curls that approximate the texture of some African American women's natural hair. 


Although the Fashion Madness Riviera doll’s hair is caught up in a ponytail, the manufacturer did not skimp on the quantity of tresses.  It took me an hour to remove her original hair.  Then she chose a wig with spikey threaded locks. 


The belief that threaded hairstyles allow the hair to rest and grow more rapidly is widespread in Africa.  After years of dyeing and straightening her hair, poor Consuelo may need to try such a treatment.


Her hair broke off at the roots when Amparo, our studio stylist tried to groom it for the Fashion Madness photo shoot.


Perhaps if more black fashion dolls sported natural texture hairstyles, more black girls would grow up too proud of their hair to subject it to such mistreatment.

Fortunately the Fashion Madness Kenya dolls have done us proud.


The Orange Blossom fashion pack comes with two purses and two pairs of shoes.


Shani grabbed this black and gold bag on her way out the door.


She said it was a perfect match for her dress even though it didn’t come with the Picture Perfect fashion pack.


These black shoes will also coordinate well with all of the outfits in both packs although Kenya was the only model whose feet were dainty enough to wear them. 

In the final analysis, the vibrant orange color and asymmetrical line of the Orange Blossom dress along with the brocade-like Asian motifs woven into the fabric take Kenya’s fashion madness far outside Barbie’s “pretty in pink” box.


À Bientôt


Santa's Elves

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“Clear door 24, clear door 24!  You have a red light.  Red light.  Clear door 24, you have a red light!”


Brotherman heaved the bicycle he had been wrestling with into the narrow space on top of the wall of cartons he had been packing into the truck at door 21, scuttled out of the truck and scurried down to door 24 which was lit up for the second time since his 3 am break.  The truck at door 21 was bound for a combined Toys R Us/ Babies R Us location.  Its cargo manifest included a shipment of dressers that each weighed considerably more than the 80 pounds they had asked if he could lift at the interview.


Stepping around palettes of $400 Barbie Escalade Power Wheels stacked in the aisle, he sumrised that the truck at door 24 must be headed for a Toys R Us in a particularly affluent community.



Then he began pulling boxes of Christmas wrap off the conveyor belt.


He hated Christmas wrap.  The boxes were heavy and their oblong shapes did not fit neatly into the high, tight walls of goods he was supposed to build inside the trucks. 

Mercifully, behind the Christmas wrap came a series of lightweight boxes.  Brotherman mentally planned how they would fit in on top of the stack where they wouldn’t get crushed before loading them in the truck.  The red light on conveyor 24 went out but then, out of the corner of his eye, he saw that conveyor 21 was flashing again.  He grabbed his palette jack and spat out several choice expletives when he saw two trampolines clogging the line.


Lifting trampolines would normally be a two-person job, but he would have to maneuver them off the conveyor and into the truck by himself.

The warehouse in McDonough, Georgia is the second largest in the national chain, serving Toys R Us and Babies R Us stores from Tennessee to Florida. Incoming goods are stacked inside the warehouse in racks six stories high.  Every night a computer program spits out “the wave,” a list of all the shipments that have to go in and out in the next 24 hours.  Then it generates lists of the items that the order pickers are to retrieve and place on the conveyor belt for shipment on trucks.  The warehouse in Nevada serving the dot.com end of the business uses robots for this function, but here the order pickers and forklift operators are still human. 

The pickers place each box on the line with its barcode face up.  Digital scanners at regular intervals along the track read the barcodes and direct each box to the appropriate loading bay.  When the line serving a particular door backs up, packages bound for the truck parked there continue circling on the oval track like unclaimed baggage at the airport.  Then the red lights flash at the end of the conveyor belt and the supervisor’s voice crackles over the intercom, admonishing the load builder to clear the door.  Since each load builder is responsible for 3-5 doors, inexperienced seasonal team members usually have at least one flashing light in their area from 3am to the end of the shift at 6:30 am.  Meanwhile the forklift operators continually dump more palettes of heavier items in the aisles between the doors. 

Children’s Supermarket, founded in 1948 in Washington D.C. originally specialized in baby furniture,


but parents of the burgeoning Baby Boom generation began asking for baby toys in addition to furniture.  Then they asked for toys for older children as well as babies.  By 1957 toys had become the main focus of a national chain with a giraffe mascot whose tagline was “Toys are us.”


Toys R Us was the first national retailer to make toy sales a year ‘round business, yet sales from November through the end of January still total about three times the volume for the rest of the year.  Thus Brotherman worked 7 straight days the week before Thanksgiving to make sure that the stores would be well-stocked for Black Friday.


He was pleased with the plump turkey that all team members received that week as a token of appreciation for their efforts, but he was truly thankful for the fat check he took home along with the bird. 

Brotherman scored nearly 100% on the written test for operating the motorized palette jacks.  He hopes that he will get the chance to complete the hands on training he needs for certification before the end of the season.  Scooping up palettes with a double or triple runner would be a little easier than loading trucks manually and it would likely pay more than the $11 per hour he earned as a seasonal  load builder.   With luck he might be asked to stay on after the season, but the palette jack certificate would also make him more competitive for part time employment at Fed Ex or UPS.

Indeed, the use of part-time employees who aren’t eligible for health care or pension benefits to cut labor costs is a growing trend.  In an October 27th article for The New York Times, Steven Greenhouse cited cases of retail workers being randomly scheduled for shifts as short as two hours  (accessed 11/27/12).  Not being able to count on a regular schedule, such part-time workers cannot make stable child care arrangements, take second jobs, or attend school to improve their skills and marketability.  Yet some retailers routinely add more part time workers rather than offering existing employees more hours when customer traffic increases.  Fortunately Toys R Us does not seem to engage in such practices. 

Brotherman had chosen to work the 3rd shift from 10pm to 6:30am because it would allow him to come home, make breakfast and see his children off to school, sleep until time to pick them up in the afternoon, and then teach classes at his karate studio before his shift.  He cleared door 21, glanced down to check on door 24, then stacked cartons of baby formula onto his palette jack and trundled them into truck 22.


“Liquids have to rest on the floor,” he remembered from his training as he began solving the puzzle of how to fit bicycles, baby dressers, Barbie Escalades, Christmas wrap, and more cursed trampolines into the truck.  The work is strenuous, sometimes the warehouse is bitterly cold, but some nights you might hear him humming:

We are Santa's elves,

Filling Santa's shelves
With a toy


For each girl and boy
Oh, we are Santa's elves.


À Bientôt

Angelitos Negros

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The Dazzling Dames doll club held a holiday social this past Sunday and Angela Ferguson encouraged members to bring a hand-crafted doll ornament for exchange:

Not one that would fill in the space in the back of a tree.  Not one that you would place under a tree holder to keep it from wobbling, No uh huh!  But one that is so creative you would hang it front and center on your own tree and do a "Vana White" each time someone comes to look at your tree...yep...that one!!  Pls have the ornament gift wrapped.

I was more than a little intimidated by the prospect of making a doll ornament for exchange with serious artists like Martha Dudley who brought this Stingy Scrooge to the meeting as one of her show and tell pieces:


Still, I scrounged up a holey sock, cut up some old stockings for stuffing, and then went to work.  Over the summer I had experimented with making doll faces from salt dough.


I painted one to match the sock but it wasn’t until we were rummaging through my wardrobe bins that she told me she was an angel.


Angels were a popular theme at the Dazzling Dames doll ornament exchange.  Miss Joy offered this precious tree topper:


Angela Ferguson created this golden lady:


I received this radiant goddess from Martha Dudley:


Miss Lorraine presented this sweet seraph:


Miss Margaret made this cherubic little boy pin:


She also heeded the Venezuelan poet, Andres Eloy Blanco’s call and crafted this adorable angelita negra:


In the early 1940s, Blanco wrote these lines lamenting the lack of  black angels:

Pintor, si pintas con amor!
Por que, desprecias [mi] color,
Si sabes que en el cielo,
Tambien [nos] quiere Dios?
(Painter, if you paint with love         
Why do you despise my color,
Knowing that God in heaven
Loves us too?
)

M. Alvarez Maciste adapted the poem and set it to music as the theme song for a 1948 film, "Angelitos Negros" staring Pedro Infante.  In this scene, Infante’s character sings the song to his daughter who was born darker than both her parents:


The child’s mother does not show the same compassion for her but eventually the plot reveals that she herself has African ancestry.

Despite its progressive message, white actors in black face played most of the leading Negro characters.  Still, this film was as a very influential hit and many singers in Latin America and the United States covered its title song.  Here is Roberta Flack’s version from her 1969 album, “First Take.”


May all the heavenly host watch over you this holiday season!

 À Bientôt

I Am Now Officially Speechless

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    Doll ornaments were just a part of the creative work that the Dazzling Dames shared at the holiday party last Sunday.  Members also brought dolls and other projects to the Red Hen Fabrics shop in Marietta, GA for show and tell.  Kenya came along with me to show off the threaded locks wig I made for her.


Unfortunately this Victorian Barbie dream house was not for sale.


It serves to keep children entertained while their caregivers shop or take classes with accomplished artists like Martha Dudley.  Miss Martha was proud to have finally completed this “Twelve Days of Christmas” quilt after working on it on and off for several years.


The panels are all intricate applique work depicting the verses of the famous Christmas carol.

10 lords a leaping,


9 ladies dancing,


5 golden rings,


and a partridge in a pear tree.


    Miss Martha also made these three pretty maids all in a row.


They are designed to sit atop a mantel.  The one with the tie-dye motif is for her daughter who loves everything sixties-related.


    Miss Lorraine brought a gingerbread doll that looks sweet enough to eat.


She made it for a friend who has decorated her kitchen with a gingerbread theme. 

    Miss Margaret created two very interesting dolls with baskets to hold her favorite Scentsy flameless candles.  The candles come in a variety of fragrances.  This lady in red was inspired by the “romance” scent.


Another line of these fragrances evokes the seven seas so Miss Margaret created a doll from a map print fabric.


With her fiery red curls she looks powerful enough to cup the whole 'round world in her hands.


    For many years Miss Joy traveled the country selling her dolls at craft fairs.  One of her specialties was needle-sculpted dolls made from pantyhose.


Amazingly enough, the fabric doesn’t run.  “Gretel” has held up for over twenty years!

    Angela Ferguson’s piece was a very interesting commission.  A lady had asked her to create a mermaid doll for her sister-in-law who had won a prestigious poetry award.


The honoree was Nikky Finney who received the National Book Award for Poetry in 2011.  As Miss Angela researched and brainstormed ideas for the piece, she watched interviews with the poet and learned that for years Finney had used a special brand of pencils crafted by the Black Feet Indians.  Unfortunately they have now stopped producing these pencils and Finney has been jealously hoarding her last box.  Writing with these pencils makes every word precious so Miss Angela created a box of pencils for the mermaid, Pohetta to use. 


    In her acceptance speech, Finney also noted that since the slave codes made it a crime to teach enslaved people to read, African Americans are the only people in the United States who had been forbidden to attain literacy.  Finney’s speech reflected on the ways such laws had silenced African Americans and expressed gratitude to all the mentors who encouraged her to break that silence in her poetry.  Miss Angela was struck by the fact that Finney ended her speech saying “I am now officially speechless” so she incorporated this phrase into the design of the doll. 


    I am now officially speechless at the creativity and skill of the Dazzling Dames!

Here is Nikky Finney's 2011 National Book Award in Poetry acceptance speech:


"Can the camera smell?" she asks as she talks about her favorite Black Feet pencils:



À Bientôt

I Was a Teenaged Franken-doll

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 When I was growing up Barbie had black friends like Christie, Julia, and Francie but none of them had younger sisters so I was thrilled to find this black Skipper and her big sister in the early 90s.  Since then, however, ethnic youth have been hard to find in the play scale market.


 Thus I recently ordered Sashabella Paws with the intention of using her as a body donor.  The fact that the Bratz dolls don’t have feet has deterred me from buying more of them.  I was therefore pleased to discover that the Bratzillas MGA has produced in response to Mattel’s wildly popular Monster High dolls have articulated bodies and feet.


When I introduced Ximena in The Spice of Life:  Part 1, I thought she would be perfect for ingénue roles so I upgraded her to a Liv body.  Her youthful face and caramel complexion were the best match for Sashabella Paws’ body so I moved her and dropped her age a year or two.


Meanwhile I had been admiring some of the Bratzillas fashion packs.  Here Ximena casts a Romantic Spell:


I thought my Monster High girls would enjoy these outfits since they can wear some of the Bratz dolls’ other clothes.  The Bratzillas, however, are bigger than the original Bratz.  


Bratzillas and Monster High dolls can trade shoes, however, which is a bonus for both sides. 


Bratzillas can also share some pieces with the Disney Fairies.  Except for the boots, this is the outfit that Sashabella Paws was wearing when she arrived.  


Spike must have slipped out of the house without her parents seeing her in this skintight micro-mini dress. 


While I had been lamenting the lack of an Asian character in the fairy court, I recently learned that Disney hires Asian actresses to portray Silvermist in live performances.  Still I was pleased to find Spike in Toys R Us last month.  


Spike has Vidia’s face mold but the character is supposed to be from the Ukraine.  


Maybe she is descended from some of Genghis Khan’s Mongolian raiders.

While I was modifying monsters I also swapped Celeste Honoree from a Cleo de Nile body onto a spare Howleen Wolf body.


Howleen Wolf is smaller than the regular Monster High dolls so she can wear regular Bratz clothes more comfortably.  Here Celeste sports the Bratz Casual Prep ensemble:

Celeste's mother has sent her to pick up a box of donuts to surprise her new beau, Mr. Guidry.  Yvette and Celeste Honoree appeared in The Spice of Life:  Part 2 back in September.


    Last year MGA experimented with some fully articulated Bratz bodies.  I searched high and low for a brown-skinned articulated Sasha but could never find her.  This year I caught Bratz Catz Sasha at a good price during a Toys R Us on-line sale so I’m glad I waited.  


She makes a good body donor for this Chic Boutique doll who was a fairy when I bought her on clearance from K-mart circa 2006.  


Her outfit came in a 4 pack of Bratz fashions.   


Her older sister was another Chic Boutique teen from Kmart:


I haven't found a suitable upgrade body for her but she enjoys wearing this Bratzillas suit:


Now I know why teen Skipper's eyes are green -- envy.


Gladys, however, is probably my most satisfying teen Franken-doll project.


Over the years I have found a number of teen-sized clones at Family Dollar and other discount stores:


Unfortunately they all have enormous heads.


There were no child-sized heads to swap onto these bodies until this fall when Dollar Tree began offering brown-skinned teen fairies:


A few weeks ago I found these Glimma Girlz at Deals, Dollar Tree's sister chain:


So now Gladys has graceful arms with rotational shoulders and click knees.


Here she models the Bratz Boho Chic ensemble -- with gold spangled tights added for modesty:



Maybe it wouldn't be as much fun if our ethnic doll families could just pull teeny boppers off the shelf.

À Bientôt

Happy New Year 2013!

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Although I have said some harsh things about Mattel's distribution and marketing strategy for the So In Style dolls, I like the face mold.  Thanks to a sale at Family Dollar that knocked 50% off every toy priced $10 and up, Kara and Trichelle became my last two doll purchases of 2012.


Once I got them out of their boxes, I saw that in truth, they were only worth $5 a piece because they have unbend-able hard plastic legs.  Fortunately I had some click knee bodies that were good complexion matches.  Once the body transplants were complete, Kara and Trichelle spent the afternoon in the natural hair salon getting all the tacky tracks and glue removed from their heads.  Now they are ready to ring in the New Year!

Kara is on her way to a formal ball. 


We discovered that she can wear many different hair colors but settled on these blonde-streaked locks.


Trichelle is headed for the club where she plans to dance the night away. 


She asked for long braids that would flow with her dress.


Grace was happy to see her homegirls from Chicago...  


but she has plans for an intimate soiree.


 May 2013 deal you a winning hand!

À Bientôt

Sweater Girls

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Thanks to the generosity of Ms. Leo, Heidi has a warm sweater to wear on her ski vacation.


Heidi and Bianca hope to spend a few days on the slopes before the semester starts up again.


I'm usually not lucky with contests so I was thrilled to win the sweater give away.  I especially like the snowflake detail on this sweater.


I made Bianca's sweater sometime in my teens.


It is the only sweater I have ever knitted and no-one has worn it for years because it is so hard to put on.


Bianca is thankful that Vanessa of Van's Doll Treasures shared her trick of covering dolls hands with saran wrap while dressing them in sweaters.  Otherwise she would not have gotten this modeling gig!

À Bientôt

Bratzillas Wardrobe Malfunction

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It looks like MGA has committed to continue with the taller Bratzilla's bodies.  Yesterday I spotted the new Magic Night Out girls in Target.  I like the fact that these dolls have feet but unfortunately Cloetta Spoletta had suffered a wardrobe malfunction:




The package was intact so I guess she just had a wild night.  :-)

À Bientôt

Dawn

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Since MGA Entertainment introduced the Bratz dolls in 2001, the "girls with a passion for fashion" have given Barbie a stiff run for the money.  Mattel and MGA spent over 5 years in court each arguing that the other had copied its designs.  In the 1970s, however, Barbie faced an even more popular rival -- she stood only 6.5" tall and her name was Dawn. 

Original Dawn dress

Topper, a brand of the Deluxe Reading company, produced Dawn dolls in mass quantities from 1970-1973.  Reading's strategy had been to place dolls and other toys for sale in grocery chains and variety stores rather than in department stores.  The space on the top most shelf of the supermarket aisle was a dead zone where shoppers were not likely to look for grocery items.  Yet a child seated in a shopping cart could easily see Reading's brightly packaged toys there and the inexpensive prices made parents more willing to humor their children's whims. 

Dawn's diminutive size also enabled smaller retailers such as drugstores and five and dime stores to carry and display the full line where they couldn't dedicate enough shelf space to fit the full line of Barbie dolls and accessories.

2003 repro Dale

Further, a girl could fit a dozen Dawn dolls and a large selection of the original 44 outfits in a compact case where a colony of Barbies and their paraphernalia would threaten to overrun the house.

Mattel fought back with the Rock Flowers dolls.


Topper, however, also used television advertising effectively and gained a strong foothold in the market. 

I don't remember seeing Dawn commercials or Dawn displays in the stores when I was growing up but I did have a lot of fun with a set of Dawn paper dolls.  It may be that Dawn was disappearing from the shelves by the time I became aware of her for unfortunately, her small size made it difficult for Topper to come up with enough new fashion ideas to keep girls interested.

2003 repro Dale

Having started with a Model Agency, then released dolls with "Dancing," "Flower Fantasy," and "Majorette" themes, as the company lurched towards bankruptcy in 1973 its designers were unable to invent fresh scenarios for the characters.

Starr Doll by JPI attempted to recapture this niche between 1994 and 1998 with a line of 7 dolls who were models for the Starr Model agency.


I bought Toya, the African American one at a Toys R Us in Miami in 1994.  Later in the 90s I found her a husband and daughter at KB Toys in New Orleans.


I don't remember who made them or what they were called.  There was a corresponding adult female doll as well but I didn't purchase her because I already had Toya and she was not interested in sharing the man.


Still I gave two of these families to the daughters of a friend.  The girls' parents approved of the fact that the baby was packaged with the father instead of with a single mother.  They took the opportunity to impress upon their daughters that they should get a husband first before they have a baby.  :-)


My original Dale and Dawn dolls became body donors for Little Kiddles who were members of my Barbie families but in 2006 I purchased this Toy-O-Rama reproduction Dale doll and several outfits at K-B Toys in Savannah, GA.  


Toya rolled her eyes, sucked her teeth, and grumbled about "that man-stealing heifer" until I explained that she was homeboy's sister.  Then she was very happy to borrow Dale's clothes.  


The repro versions of Dawn did not last long in the market but you can find them and many of the original dolls and fashions in good condition on eBay.

Sources accessed 1/17/2013

"Dawn Doll Archive"

"Dawn Dolls:  Tiny Doll Stars of the 1970s"

"Dawn Doll by Topper:  eBay Guides"

"Starr Doll by JPI Archive"

À Bientôt





Kiddles 1

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Ms. Leo recently catalogued many of the infant and toddler-sized dolls that add joy to our 1:6 scale doll families so I am chiming in to show that before there were Kellys, there were Kiddles.


Mattel marketed these 2 1/2" - 3 1/2" dolls as a separate brand but I usually used them as babies and toddlers in my Barbie families.

Lola Liddle was the first Kiddle I received.


She is one of the original 24 Kiddles introduced in 1966.  She wore a red sleeveless shirt with a white sailor collar and white pants.


She also had a sailboat and a plastic sailor's cap.


I no longer have her boat and  I cut her hair at some point because one of my Barbie families needed a son.

Babe Biddle came with a yellow convertible sports car (not the one in this picture) and she had a blue headscarf to keep the wind from mussing her hair.


I no longer have the car but she is on her original body and wearing her original dress.

Windy Fliddle came with a little plane.


I still have her pilot's helmet and jumpsuit.


Since her hair was short, the Zacker family adopted her as a son.


At some point I upgraded "Bert" to this taller, unidentified body.


My mother confiscated Soapy Siddle from some hapless child who was playing with her in class.


She presented the doll to me at the start of a trip to see our paternal grandparents.  While Miss Siddle was wearing her red striped bathrobe, I never had the claw foot tub that came with her.


Still she kept me occupied for hours on that long drive.

 À Bientôt

Thanks to PANKS

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I mostly prefer 1:6 scale dolls but last week Debbie Garret shared an informative post about the Family Corners dolls on her Black Doll Collecting blog and I had to admire the beautiful pieces of 1:12 scale furniture Vanessa Morrison of Van's Doll Treasures dug up from her basement.  I can't afford such fine furnishings, but a few years ago when I found some decent-looking 1:12 scale pieces at Dollar Tree, I snapped them up.  I not only bought several rooms of this furniture for myself, I bought duplicates of each piece and snuck them into my niece's 1:12 doll house.  Yes, I am part of a a new demographic category marketers have identified that tends to spend as much as $3,000 a year on goods and services for the children in their lives -- PANKS, professional aunties with no kids. So this photo story is dedicated to all the PANKS out there!

"So how was your trip, Sis?  We're so happy to have you with us."


"The flight was a breeze but I couldn't wait to get here and see the baby.  I can't believe my little brother is a dad!"


Later the proud parents prepare to venture out without their precious for the first time since she was born.  "Are you sure you don't mind babysitting, Sis?"


"I'm thrilled to get some quality time with my niece."


The baby fusses a little after mom and dad leave but Denise rocks her and croons to her until she goes back to sleep.


Meanwhile Kurt and Toya have taken a hotel room for the night...


The bed that matches the rest of this Dollar Tree furniture is too short to be in scale but that doesn't bother the amorous couple.  The dresser seems to be just the right height!

À Bientôt

Kiddles 2

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In my childhood doll world the Marx cowboy, Johnny West married Barbie's redheaded British friend, Stacey and they had a passel of redheaded children.  Virginia (alias Trikey Triddle Kiddle) was the oldest one.


To show her big sister status, I upgraded her to a Dawn body.


The long, loose dress from a Mattel Rosebuds doll conceals the fact that Dawn was a 1:12 scale adult woman.

Mattel produced Kiddles 'N Kars from 1969-1970.  These Kiddles each came with a "horseless carriage" and an updo hairstyle.


I was charmed to have a doll from the era portrayed in Maud Hart Lovelace's Betsy-Tacy books.


Rosemary Roadster's car has long since gone to the great junkyard in the sky but I still have her original purple checked suit with the hobble skirt although she "outgrew it" in her role as the oldest child of General Ivan Zacker and his wife, Babette (nee Dupont).


She is also on a Dawn body hidden under another Rosebud dress.

Lois Locket was one of the 13 Lucky Locket Kiddles produced between 1967 and 1970.


Each of these 2" dolls was enclosed in a plastic locket that you could wear around your neck.  My Lois had a lovely green dress with lace trim.  As she grew up, I upgraded her to a Dale body.


Dale was Dawn's African American friend.  Since I never got any other black dolls her size, she was more than willing to sacrifice herself so that Lois could be part of a 1:6 scale family.  

On July 20th, 1969, Armstrong and Aldrin made the first manned landing on the Moon in the Apollo 11 Lunar Module.  Toys like the Kozmic Kiddles (produced in 1969/70) reflected the impact that the space program had on the popular imagination. 


Meanwhile under the Green decision of 1968, the U.S. Supreme Court had decreed that "freedom of choice" desegregation plans such as the one offered in New Kent County, Virginia were a sham and established the "Green" factors as criteria for the acceptability of school desegregation plans.


The impossibility of achieving equality of facilities, transportation, extra-curricular activities, and an equal ratio of black to white students and faculty in school districts drawing students from segregated neighborhoods led to the implementation of extensive busing plans that transported students citywide or across city-county boundaries. 

I was never bussed but I had integrated an entire elementary school in Fairfax County, Virginia during the 1968/69 school year when I was in the first grade. My mother taught at the school and had obtained permission to enroll me even though we lived in Maryland.  From then on there was never more than a sprinkling of other black students in the schools I attended.


For most of my education I felt like the "sister from another planet."  No wonder I identified so strongly with my Purple Gurple Kozmic Kiddle.  

Girlfriend's space ship cracked up years ago and her antennae broke off so she couldn't communicate with the Funkadelic Mothership and ask them carry us home.


Thus we had to learn the ways of earthlings.

To see what the original space ship looked like, check out "Pictures of my Kozmic Kiddles Collection."

À Bientôt


Phat as Duckbutter

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Having survived a root canal earlier in the week, yesterday I dropped into Walmart to do some retail therapy and struck gold -- the new, articulated SIS dolls dressed in Baby Phat fashions were on the shelf.


Unfortunately these dolls do not have the pivotal torsos or knees that allow the Fashionistas to pose so expressively.  Their range of motion is the same as the Kenya dolls, but Kenya feels a little lighter and more brittle.


Trichelle is not available in this wave of SIS dolls. Marissa didn't want her to feel left out so she let her model this Baby Phat fashion.


I am not fond of this melon pink, probably because it is a color I can't wear however I love the purple print leggings.


The Baby Phat logo necklace is a fun accessory


and the purple shoes are scrumptious.


When I lived in New Orleans, I used to tutor the little girls who lived next door.  One day when we were drawing self portraits, the middle girl who was about twelve used the brown marker to color her face and then exclaimed "oh no!  that's too dark!"  Then she took the yellow marker to give herself blonde hair.  I always felt that Kara had the same kind of complex about her complexion.  At least she has found a better colorist this time.


Now if we could just get her to ditch the pink lipstick...


Fortunately this Kenya Fashion madness dress compliments Kara's complexion well and her feet are small enough to squeeze into Kenya's shoes.


Meanwhile Marissa now has enough points of articulation to really work Movin' On Kenya's outfit.


Each of the Baby Phat SIS dolls comes with a pair of stylish sunglasses.


The face screens on some of these dolls seems a little askew but I'm sure Chynadoll can work wonders with them.


Kenya loves Kara's Baby Phat shorts and sweater.


The sweater fits well even though Kenya is a bit better endowed than the SIS dolls.


The tube top and shorts are sewn together as a one piece romper that fastens in the back with a strip of velcro.


While Kenya is searching for her contact lens we can admire her... Baby Phat shoes!


Kenya and the SIS dolls have a very different sense of style but they can wear each others' outfits and add their own personal flair to each one.


For example Grace can rock Rock Star Kenya's jacket and jeans


but she adds her own a note of sophisticated elegance with her Baby Phat sunglasses.


I was never sure what color Grace's eyes were supposed to be before but in this new face screen they are clearly green.


Kenya's hips and thighs are fuller but she can fit comfortably into Grace's slinky black leggings and pink top.


The asymmetrical collar is a very distinctive detail.


Ankle boots complete the ensemble.


The two divas find they can respect each other.


Chandra even invited Kenya to attend her church.


I was disappointed that Chandra's outfit turned out to be a one piece dress.  At the very least, I feel the jacket should have been a separate piece but Kenya was so happy Chandra loaned it to her that she stood up and shouted "Hallelujah!" 


When it came time for the collection she proudly tipped up to the altar in these snazzy shoes.


Kenya is obviously one of those people who goes to church to be seen.


In contrast, Chandra fell to her knees and gave thanks that she has finally been blessed with an articulated body.


I was very glad Chandra was also blessed with soft, curly black hair.  She accented Riviera Kenya's three piece pink suit with a matching Baby Phat headband. 


While I love Chandra the best


all of the new SIS dolls are phat as duckbutter!


À Bientôt

Midnight Magic

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 After pestering me for some new clothes for over a year, Nefera de Nile was thrilled to discover that she can wear Bratzillas outfits.


Meanwhile the packaging included artwork that looked like it would make good backdrops so I finally de-boxed all my Midnight Magic dolls and decided to use them to practice lighting a night scene.

Classic photographic lighting begins with a three point system.  A key light illuminates the overall scene, a back light separates the subject from the background, and a fill light kills any shadows that fall in unwanted areas of the frame so I was very pleased to get three of these gooseneck lamps from Target last year.


They are easy to position and the LED bulbs cast a fairly pure white light.   

The color temperature of the light can make a big difference in image quality, especially when you are shooting with low end digital cameras.  In particular, in my work as a videographer, I have spent a lot of time looking for ways to present people of all complexion types “in the best possible light” so the multi-colored monsters were an interesting challenge.

    Kayley has lavender skin and brown hair.


She photographs like a very fair-skinned person so it was hard not to over-expose her under the studio lights.


We borrowed this outfit from Vidia, one of the Disney fairies because the Lovely Patsy outfit she came in was a fashion train wreck.

I thought this blue dress would show to better advantage next to Adele's pink skin than it would on Mila but it still took me a long time to get good shots of Adele.


Brunettes like Adele have a high contrast between their dark hair and lighter skin.


Low end digital cameras don't manage high contrast well so I was bound to encounter problems when shooting a brunette subject with my iPod Touch which has no means of manually adjusting the focus or exposure.


Adele made it worth the extra time it took to adjust the lights properly.

Indeed, you can easily make shooting stages for your dolls by sticking colored poster board to scrap cardboard.


I made this black stage for night scenes, a neutral gray one for when I want to show the details of a doll or her outfit without distractions, and a green one for chroma key work.


I can remove the green background in an image editing program and replace it with any background I like.

    Mila has blue hair and blue skin like an ancient Celtic warrior goddess.


Subjects with fair skin and hair can wash out under bright lighting but blue is a color that digital cameras read very well.


Since Mila’s hair and skin are in the same color family, the camera did not have to deal with contrasting color values.  As a result she was the easiest to light.


She also has a strong personality that came across clearly in the poses she chose to present Pipa’s silver snakeskin dress.

Dark-skinned subjects, however, can be the most difficult to capture because the auto-focus features in digital cameras are designed to take the brightest area within the frame as the focal point.


Indeed, as one African American man discovered in this hilarous but sad video, digital cameras are programmed to think that "white is right."


Yet, contrary to the assertion that "Hewlett Packard Computers are Racist," the camera's technological flaws in representing the full spectrum of humanity are not due to deliberate acts of discrimination.  Thus, while Pipa's features in no way suggest African ancestry,  her gray skin and dark hair caused her to appear underexposed until I was able to adjust the lighting to compensate for the camera's limitations.


The bias in digital imaging technology does however reflect aesthetic biases towards fair skin, the socio-economic barriers that for many years kept darker people out of careers in scientific research and engineering, and the failure of the corporations that manufacture and market digital imaging technology to recognize the fact that large populations of potential customers have dark hair and/ or skin.

Fortunately the future looks very different.  I teach at a large engineering school where my students are as diverse as the Midnight Magic girls who posed here.  I am also encouraged to see that at least 30% of my students are women.  One of them is currently completing a thesis on computer optics.  Maybe she can fix some of this stuff in the future :-)!

À Bientôt

Dazzling Dames

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Red Hen Fabrics in Marietta, GA offers an enticing selection of quilting fabrics.   Since many of the Dazzling Dames are accomplished quilters as well as doll artists, whenever the members gather there for a doll club meeting, it’s like letting a gaggle of schoolgirls loose in a chocolate factory.  For example, Angela Ferguson’s interpretation of the Mad Hatter is intended as a wall hanging which will extend the play of textures and colors that mark the quilter’s art into the three dimensional realm of soft sculpture dolls.


In days of yore, young girls starting learning simple cross-stitch embroidery around the time they began to learn their ABCs.


Gradually they acquired a “vocabulary” of stitches that they displayed in a sampler.


Ideally the girl would master basic needlecraft and complete her sampler before she married.  Miss Joy started her sampler quilt 8 or 9 years ago as a gift for her mother.


It displays her mastery of applique techniques and her love for her first and best teacher who is now 92 years old.   


Miss Joy also shared one of the first dolls she designed back in the 1970s.


Her face does not require any fancy stitches, but it is has an appealing sweetness.


Soft sculpture art dolls can be deceptively simple to make or they can require sophisticated tools.  The technique of making expressive hands may lead the doll artist to pay a visit to a tobacco shop for old-fashioned pipe cleaners to shape the fingers.


The artist may also use a special set of small metal tubes to turn the fingers right side out.  The extra effort allowed Miss Lorraine’s winsome lass to offer a Valentine to her beloved. 


Doll artists often scour craft and knitting shops for unique fibers that can serve as hair.  Miss Lorraine’s purple-haired diva looks like she would be bold and direct about claiming her heart’s desire.


Shaping the contours of a soft sculpture figure may require the same cutting and draping skills as fitting a haute couture gown.  Martha Dudley made this doll in a three day workshop several years ago.


The instructor's training as a fashion designer enabled him to draft a pattern that endows the doll with a realistic bust line. 


Miss Martha’s  talent for drawing and sketching then infused the doll’s face with a unique personality.


Miss Martha’s real forte, however, is embellishment.


This lavishly bedecked mermaid guards a sunken chest filled with gems and doubloons, but she carries even more luxurious treasures on her shapely person.


Notice the tiny beads hand-stitched to her tail,


her elegant fingers with jeweled nails,


and her intricately beaded head-dress and necklace.


A hapless mariner could almost drown in her beguiling amethyst eyes…


You can learn to make Dazzling Dames like this siren in Martha Dudley’s mermaid class March 28th, 29th, and 30th at Red Hen Fabrics.


Contact the shop at (770) 794-8549 to register.

À Bientôt

Animal Magnestism

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The articulated SIS dolls decked in Baby Phat fashions have vanished from my local Walmart and Target stores, but this week a new wave of SIS dolls hit the shelves.


Target priced them at $8.99 -- still too much for a doll with rigid knees but in-line with the manufacturer's suggested retail price.  This time Barbie's homegirls from Chicago aren't sporting designer labels, still their fashions present some novel variations on the animal print themes that have been popular of late.

Kara wears a sundress made up in a pink giraffe print.


Although she still brightens her hair as if to compensate for her darker complexion, the color is not as brassy as some of her earlier dye jobs.


The bouncy curls show a more playful side of her personality.


Grace also appears more lighthearted in a purple zebra print dress that leaves one should bare.


The keyhole neckline was not evenly stitched on every doll, but with her "I Dream of Genie" bangs and high ponytail, Grace can probably make many little girls' dreams come true.



Trichelle was missing from the articulated Baby Phat line up -- she must have been stuck in the make-up trailer since she has emerged with an appealing new face screen.


Earlier versions of Trichelle had side-glancing eyes that often made her seem hard and even a bit underhanded.  The new Trichelle meets the world head on with a fresh, doe-like gaze.


Trichelle's purple lipstick coordinates well with the unusual purple, green, and sparkly pink palette of her leopard print dress, but probably won't compliment many other outfits.


In earlier SIS waves, it seemed Mattel thought Trichelle was the only one light enough to risk leaving some texture in her hair.  While I miss her curls in this incarnation, I like her auburn highlights.


I did not like her "johnny one note" pose, however.


Fortunately I was able to upgrade her to an "I can be an Olympic skater" body, which is an exact match for her skin tone.  Since it lacks the pivotal torso and knees of the Fashionistas, it puts Trichelle on par with the other "articulated" SIS girls.



Now if the supply chain would catch up to the demand for SIS dolls, I would be utterly mesmerized.

À Bientôt
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